Sunday, April 06, 2014

BOHEMIAN GROVE – CULT OF CONSPIRACY



Summary:CosmicBliss
Nowhere in the world do more billionaires and power brokers get together than at the Bohemian Grove. For two-and-a-half weeks every July, two thousand of the top high rollers in business and government attend the Bohemian Club’s summer encampment. George Bush Sr. & Jr., Gerald Ford, Colin Powell, Henry Kissinger, Newt Gingrich, Caspar Weinberger, Dick Chaney, Bill Clinton and a large proportion of the directors and chief executive officers of the fortune 1000 companies mingle with other top governmental officials (current or former) and members of important policy councils or major foundations. All of them are very, very rich. Daniel Ludwig, the richest private citizen on earth, is a Bohemian. Queen Elisabeth visited the Grove in 1983. Former Chancellor of Germany Helmut Schmidt writes about the place and how much he likes the Druid Rites there in his autobiography, Men and Powers. Past participants have included every Republican president since Calvin Coolidge, and before him, Theodore Roosevelt and William Howard Taft. Eisenhower, Nixon, Nelson Goldwater, Nelson Rockefeller, Reagan, Bush Sr. & Jr., all crafted their future presidential campaigns within the secret and cozy confines of the Grove. Conspiracy nuts think the Bohemian club meets each summer to plot to take over the world. Get real. These guys ALREADY run the world. Prominent members of the Bohemian Club have run America’s private run-for-profit Federal Reserve Bank from its very inception in 1913. Alan Greenspan was seen at the Bohemian Grove only a month before he was appointed chairman of the Federal Reserve. The Manhattan Project was planned, instituted and operated out of the Bohemian Grove. Much of America’s domestic and foreign policy, weapons systems, technology, and even wars are being orchestrated in secrecy at the Bohemian Grove. This has taken place quietly over the past 130 years. The Grove regularly perform bizarre ceremonies connected to ancient Babylon rites such as the “Cremation of Care”-ritual. Yes, they include openly performed mock human sacrifices. Eyewitnesses have gone public about actual, real human sacrifices as well. Throughout history, elites and rulers have been obsessed with the occult. No media are allowed in, either as members or as guests. Today, you wont even find the Grove listed on most public maps. Important public-policy decisions are being made here in secret. The men who meet here deep in the woods are involved in a vast conspiracy that has but one ultimate aim: global domination. Major military contractors, oil companies, banks (including Federal Reserve), utilities, foundations, museums, universities and national media organizations have high-ranking officials as club members or guests.
When powerful people work together, they become even more powerful. This group determines whether prices rise or fall (by their control of the banking system, money supply, and stock market) and they make money whichever way market fluctuates. They determine what our rights are and which laws have effect, by appointing judges. They decide who are our highest officials shall be by consensus among themselves, and then sell candidates to us through the media that they own. The public will not see the effects of such decisions until weeks, months, years, or decades later. Illuminati Freemasons manipulated and won the War of Independence in 1776 and then took control of the United States of America. This secret brotherhood, today manifested in such organisations as the Bohemian Grove, Skull & Bones society, Bilderberger Group, Black Lodges of Freemasonry and Knights of Malta, has never conceded that control to this day. Note the design for the Great Seal of the United States, which contains symbols dating to ancient Egypt and beyond, including the pyramid and all-seeing eye of Horus. Above and below this symbol are two Latin phrases, Annuit Coeptis and Novus Ordo Seclorum. These translate as “Announcing the birth, creation, or arrival” of “A secular New Order of Ages”. In other words, they were announcing the creation of the New World Order. The founding of the United States was a massive step forward in the plan for centralized global power. Today, this Great Seal can be found on the back of every US dollar bill, which seems logical, given that the Secret Brotherhood controls the American economy. The decision to put the pyramid and Novus Ordo Seclorum symbol on the dollar was made by the 33rd degree Freemason, Franklin D Roosevelt, in 1935, with the full support and encouragement of his vice president, Henry Wallace, another 33rd degree Mason. The American flag was also designed to reflect Brotherhood symbolism, and the Statue of Liberty was given to American Freemasons by the French Grand Orient (Illuminati) Masonic Order. A group of rich and powerful men are conspiring to control the world. And that’s no “conspiracy theory”—it’s conspiracy fact.
BOHEMIAN GROVE – CULT OF CONSPIRACY Originally published in Shvoong: http://www.shvoong.com/law-and-politics/794116-bohemian-grove-cult-conspiracy/

 

Saturday, April 05, 2014

MANGA - SHORT COMICS FROM JAPAN


Review:arthurchappell
ABSTRACT – TAKEKAWA (Editor) MANGA – SHORT COMICS FROM JAPAN. 2001 The Japan Foundation. This booklet was produced for a travelling art exhibition on Japanese Manga comic book work, which I happened to visit when it came to the Cornerhouse Gallery in Manchester, England, where I live. The exhibition and accompanying book were designed to show just how little of the art form actually deals with science fiction themes. Much Manga (the still life version of Anime moving picture cartoons). The booklet provides a series of essays on the history and nature of Manga, before taking a potted history of various artists one by one, giving a biography and illustrated examples of their work. In Tiger Tateishi’s work, a mystic meditates on each of the world’s religions, shown as thought bubbles over his head, but he finds no satisfaction in any and goes away contemplating evil as the shards of his visions lie broken on the floor behind him – have the religions failed him? Is he not worthy of any f them? Will he destroy the belief systems? Is he fundamentally bad or driven to it? The ambiguity of the silent comic speaks volumes. There are a few excellent examples of fantasy Manga included too, notably from Tanaka Masashi, who presents a baby dinosaur egg accidentally getting mixed up with a bird’s eggs in a tree=top nest. The dinosaur baby hatches and the birds bring it up, and he rewards them by proving to be more than a match for a cat that dares to attack the nest. Such simple, lyrical Zen like touches abound in comics with have a much more pedestrian pace than those of the West, but give a sense of care and attention to each and every panel of artwork. The book, like the exhibition that inspired it, is highly inspirational in more ways than one. Comics have truly come of age.
MANGA - SHORT COMICS FROM JAPAN Originally published in Shvoong: http://www.shvoong.com/f/books/408834-manga-short-comics-japan/

Friday, April 04, 2014

X-Men Origins: Wolverine


Review:VernonTepes

The first three X-Men movies all had my blood pumping but for regrettably very different reasons. The first movie was extremely well crafted and breathed real life into the genre in the days before these films were two-a-penny. The second film, imaginatively named X-2, was, in my opinion, one of the most interesting, emotionally charged comic book movies of all time and I waited with real anticipation for the third installment, Last Stand, which proceeded to destroy all expectations, hope and will to see another second of this movie franchise.

What I'm trying to say is, I've had the rough and the smooth with these movies over the years but to be honest wasn't expecting much from Wolverine going in. Having said that, there was a lot to like in this movie. Hugh Jackman, let's face it, was pretty much born for this role and is by now so at ease wandering around with CG blades stuck between his knuckles that it's hard to seriously criticize his performance. A rather more pleasant surprise were some of the ancillary characters that made their way into the plot, such as Liev Schreiber's portrayal of Victor Creed, a surprisingly able yin to Hugh Jackman's yang that at some points single-handedly holds the plot together. I was also in no way dissatisfied by Lynn Collin's work as the love-interest Kayla Silverfox, who could easily have slipped through the film like sand without a confident performance.

The plot is pretty much all over the place throughout. For a film largely about the appreciation of difference against the persecution of the Other, there is a surprising willingness to track through an almost freak-show-like pantheon of scenarios, locations, emotional perspectives and characters, but thankfully the film manages to avoid going anywhere near as wrong as Last Stand. Sure, it's like going around the world in 80 days a little, but the plot does at least hold together while hitting some of the sci-fi staples of revenge, man over animal, betrayal and brotherhood for a brand new cutting.

My major criticism, plot cohesion aside, is the CGI, and in an X-Men movie there is precious little excuse for that. Some sequences are breath-taking, but are completely ruined by other truly appalling effects. I don't want to place CGI above plot, but the truth is, as many experts in the field have said often, really good special effects are the effects you don't even realize you're seeing because you are too immersed in the plot. Some of the early visuals of Wolverine's blades are worse than they were in the original X Men movie, which is a failing I really don't understand. In one particularly poor sequence CG soil is shot 6 feet in the air by CG bullets firing from a CG helicopter and the whole thing is so unreal that you are immediately hauled out of the action back into the cinema. My only question is why? Was setting off real charges to make real soil fly around too difficult? The trouble, of course, is that suddenly whatever power the plot had over you is gone, leaving the building as fast as its legs can carry it.

But I can't leave this review on that note, because it would be so terribly unfair to the cast. The plot is off the rails, but it's paradoxically gripping because you have genuine uncertainty as to where it is going. The characters are strange and on the face of things quite archetypal, but the acting really makes it worth a watch even if it will never be "the best comic book movie ever". Plus. with a film like this, chances are you already know if it's the sort of film you are going to want to watch. Even if you haven't seen the first three outings of the X-Men on the big screen it is unlikely you have never seen a comic book movie at all and made some sort of judgement as to the genre as a whole. That's the problem and the great strength of movies like Wolverine: you know pretty much what you'll get going in. It's a loose but inventive plot with some interesting action sequences, some emotional highs and a pantheon of characters, scenarios and combat sequences. And for all it's faults, it is entertaining. So against my better judgement, here's my recommendation: try to find time to see this one before it goes off circuit because if nothing else it is at least a break from all the stresses of the world and it won't be any less (or more) than you anticipate.

X-Men Origins: Wolverine Originally published in Shvoong: http://www.shvoong.com/entertainment/movies/1893769-men-origins-wolverine/



 

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Product Details Age Range: 9 and up Grade Level: 4 and up Series: X-Men Hardcover: 392 pages Publisher: Marvel (March 18, 2014) Language: English ISBN-10: 0785184422 ISBN-13: 978-0785184423 Product Dimensions: 11.1 x 7.5 x 1 inches Shipping Weight: 2.6 pounds (View shipping rates and policies) Average Customer Review: 3.9 out of 5 stars See all reviews (7 customer reviews) Amazon Best Sellers Rank: #5,293 in Books (See Top 100 in Books) #9 in Books > Comics & Graphic Novels > Publishers > Marvel #40 in Books > Comics & Graphic Novels > Graphic Novels > Superheroes Would you like to update product info, give feedback on images, or tell us about a lower price? Customer Reviews (7) 3.9 out of 5 stars 5 star 3 4 star 1 3 star 2 2 star 1 1 star 0 See all 7 customer reviews Share your thoughts with other customers Write a customer review Most Helpful Customer Reviews 9 of 10 people found the following review helpful GOOD BUT MISSING RELEVANT ISSUES By Grateful Mom on March 20, 2014 Format: Hardcover Not including New Mutants vol. 1 #48-50, seems like a big mistake to me. Also, would have considered some of the Rachel Summers issues from the Uncanny X-Men that further expound on the dystopic future of the X-Men. 2 Comments Was this review helpful to you? Yes No 2 of 2 people found the following review helpful Classic!!!! By Hector Montemayor Jr. on April 15, 2014 Format: Hardcover Verified Purchase Every X-Men fan should own this collection. Even if you already own issues 141-142 in a Masterworks or Omnibus collection, it is still worth it to have this in your collection. The inclusion of Days of Future Present is vital to the storyline, and the inclusion of the 3 Excalibur issues even moreso! The Excalibur issues in particular are extremely informative and give tons of backstory that really help bring the grandiosity of this classic arc into sharp focus. Then we get Wolverine: Days Of Future Past. This is a nice little bonus tale that covers some of the details that occured leading up to the original story from UXM 141-142. Some people complained that key New Mutants issues were left out, but hey......people will always complain about something. Someone is bound to argue that Weapon X: Days of Future Now isn't included in this collection. Thats all good and well, but sometimes these collections can get bogged down in overkill. I can confidently say that this collection is just right! It gives you all you really need in order to say you have a highly definitive collection of the Days of Future Past arc. The quality of the book is outstanding to boot! Beautiful hardcover art and outstanding reproduction of the stories in terms of art, coloring and paper stock used. I highly recomment this to any X-Men fan new or old. Comment Was this review helpful to you? Yes No Great Book and Service By Michael martinez on May 18, 2014 Format: Hardcover Verified Purchase This is an excellent book to read! A great storyline to the x men universe. Can't wait for the movie Comment Was this review helpful to you? Yes No 2 of 4 people found the following review helpful This is an amazing collection! By cole m whitecotton on March 31, 2014 Format: Hardcover Verified Purchase What really starts as a two issue story arc with ENDLESS implications is explored here with many more issues helping to fill out almost any gap left by the original two issue story. The quality of this book is amazing. The pages are printed beautifully and unlike most color printed TPBs, the pages don't smudge all over the place or anything of the sort. 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Thursday, April 03, 2014

Super Heroes, Fashion and Ethnocentrism: Batman Case


Review:PASCARELLI

Batman does not have superpowers, neither he will have like Spider Man and Super Man. Batman is the unique heir of a fortune which made him compensate the absence of physical skills investing in technology.

The loss of his parents did not contribute to a gradual psychic growth, but instead in the search for justice confused with revenge.

The high technology is in Bat-Cave, in Bat-Car and in Bat-Clothes that protect him from fire, from falling and permit him to jump off great heights and even to fly! There is also a Bat-Belt, possibly inspired on the old Swiss penknife Victorinox.

Batman’s first appearance was on May, 1939 on the North American magazine Detective Comics.

The World War II that lasted from September 1st, 1939 to September 2nd, 1945 improved and transformed the character Batman and created other superheroes that served to the ethnocentric ideology of the North American people.

USA dominated the technology, conquered the technology and prevailed the rules of fashion. The same occurred to the British who for centuries dominated the naval technology and this is currently happening to the USA that is dominating the atomic technology.

Both American and British societies are heir cultures from their own that do not see “the other for the other”, but judge the rest of the cultures by their proximity or distance from their way of life – The American Life.

Abstracting from the cultural relativism, it imposes a globalized world through an aggressive marketing and a savage warlike capitalism with their ethnocentric values.

The ethical position implies on the ability to see “the other for the other” and not to judge the other from your cultural lens. It is a difficult culture relativism ability which opposes to all ideological impregnation.

According to Guimarães Rocha: “Ethnocentrism is a vision of the world where our own group is deemed as center of everything and all the others are thought and felt through our values, our models, our definitions of what is the existence. In the intellectual plan, it may be seen as the difficulty to think the difference. In the affective plan, it may be seen as feelings of strangeness, fear, hostility etc.” (“O que é etnocentrismo”, São Paulo: Brasiliense, 1999. Col. Primeiros Passos.)

Batman brings in his clothes all warlike technology that symbolically reflects the American culture that is ethnocentric and imposes to the rest of the world their democratic model through war. The U.S.A. which is the greatest world-wide economic power and has won the greatest amount of Nobel prizes is also the one with the biggest population in jail and of inmates in psychiatric hospitals. Why? Batman is sad, has a vampire aspect, affectively gotten dull, unpredictable and violent, despite all the technology he carries in his indestructible clothes. Gotham City is dark and underground, a sick city that remembers Chicago of the thirties, dominated by the Italian Mafia. Gotham City needs to have heroes to live without fear. But the terror is always latent because from the culverts and openings of Gotham City it appears enemies with flabbergasting technological powers: Joker, Cluemaster, Penguin and Mr. Freeze – all of them as psychotic and powerless as Batman.

Batman’s enemies carry in their clothes the evil that characterizes them. The hero’s ethnocentrism is the driving force to destroy them since they are different and incorrigible and cannot live in Gotham City pacifically. Both in Batman’s 60’s and 70’s series and in the films the hero transforms himself with elegant bat clothes while his enemies wear eccentric clothes that make them look ridiculous. That is the way the ethnocentric culture sees and judges the others: in a bizarre way, savage and always kitsch. The mission of this culture is to convert the others or, if impossible to convert, destroy them through the fine methods of the powerful warlike technology that it possesses – the ethnocide.

Translator: Renata da Silva.

Saber mais: www.pascarellisciensead.com.br
Super Heroes, Fashion and Ethnocentrism: Batman Case Originally published in Shvoong: http://www.shvoong.com/entertainment/movies/1939911-super-heroes-fashion-ethnocentrism-batman/

 

Wednesday, April 02, 2014

World War Z is one of the highest grossing films of 2013 and Brad Pitt's most successful movie collecting $533 millions Worldwide.

World War Z

Review:ronaldo12345
Based on a novel named World War Z by Max Brooks,World War Z is one of the highest grossing films of 2013 and Brad Pitt's most successful movie collecting $533 millions Worldwide.Brad pitt named as Gerry Lane, in a movie World War is a United Nations Investigator who must travel worldwide for the end of Zombies.

Former UN Investigator Lane,his wife and his two children are in the city of Philadelphia where the city is completely attacked by Zombies. As Pandemonium increases the Lanes escape to New Jersey and take refuge in an apartment, home to a couple with a young son, Tommy. UN Deputy Secretary-General Thierry Umutoni—an old friend of Gerry's wants to help Gerry and sends helicopter to rescue from Wild Zombies. Thierry than takes Gerry to Navy vessel in Atlantic where Scientist and many researchers are trying to find a vaccine in order to eradicate the virus spread all over the world.Gerry warily agrees to help Fassbach find the outbreak's source after it is made clear that he and his family will be removed from the ship if he does not.

In search for a vaccine Gerry than travels to Camp Humphreys, a military base in South Korea,where they are attacked by zombies.After rescued by military police, A former CIA operative, imprisoned at the base, tells Gerry to go to Jerusalem, where he says a safe zone has been maintained by the Israeli Mossad since before the outbreak's official acknowledgement

Gerry than travels to Jerusalem where he meets Mossad chief Jurgen Warmbrunn, who explains that months earlier, the Mossad had intercepted an Indian military message claiming that Indian troops were fighting the rakshasa, or the "undead".Israel had made huge erecting wall but due to the noise made bu people over there zombies scaled the walls and attacked. On the way, Gerry notices zombies ignoring a sick old man and an emaciated boy. Soon after, one of Gerry's escorts, a soldier who identifies herself only as "Segen", is bitten on the hand, which Gerry quickly amputates to stop her turning. Gerry than contacted to thierry and he is diverted to World Health Organization in Wales .The WHO staff suggests that they test this by deliberately infecting somebody with one of the facility's pathogens, but these are in a wing already overrun by zombies. Gerry, Segen and the lead WHO doctor go to get a pathogen, but are separated on the way; Gerry continues to the pathogen vault while Segen and the doctor return to the main building. A zombie corners Gerry inside the vault, prompting him to inject himself with an unknown bacteria and open the vault, thereby testing his theory. The zombie ignores him, as do those he encounters while returning to the main wing. Everybody rejoices at Gerry's success.

And at last Gerry was a lone hero and his family are reunited together.

On the budget of $125 million World War Z is simply awesome movie to watch and It's one of my best movie of 2013
World War Z Originally published in Shvoong: http://www.shvoong.com/entertainment/movies/2395592-world-war/